Today, women in music are selling their souls. Thanks to Wendy Squires for seeking my thoughts and including in her opinion piece on Women in Music Videos: EXCERPT: “Leanne Kingwell agrees that the focus on the music video has taken the spotlight off the music, and women are the big losers in the shift. A talented singer/songwriter/performer, she’s feeling the pressure to conform to promote her latest album, the brilliant ‘Choking on Halos’ (check it out at leannekingwell.com), but is fighting it with all her might. “Writing it and singing does something for my soul,” she says. “Making videos does nothing for my soul. I want to focus on music. I don’t want to spend energy even think about the video. I don’t want to be seen. I want to be heard. It horrifies me that in some circumstances the video is considered just as or more important than the music.” So, what to do if you are a talented female artist who would prefer to have her music noticed without adding bouncing bums and breasts? In Leanne’s case, she self-produced her album as a means to sidestep the industry pressure and bull she encountered with albums past. And, as a woman, not a girl, she knows how easily her music could be overlooked should she not fit the nubile bustier and stockings stereotypes dominating Saturday morning music shows.” “Too many mainstream clips help reinforce a subliminal perception that only young sexy women are welcome in the music biz,” she rightfully complains. “There are stubborn indies who persevere through this. But we’ll never know how many women stopped trying to make music because the couldn’t ignore the subconscious message screaming that they should stop because they were old to crack it now.” “Engineers, scientists, lawyers and CEOs are allowed to grow older wiser, more experienced and respected,” Leanne Kingwell points out. “Music videos that pull focus on and exploit youth and sex do the opposite, especially for women. Age only improves my ability to write, record and sing better songs. But I’m constantly battling my own subconscious hang-ups on whether or not an audience will find me acceptable. “If I was a novel writer it would be like the book cover being more important than the pages between. And on top of that also having to spend considerable energy and acquire the skills to conceive and illustrate a front cover. But all a novel writer really should have to do is write an amazing novel.” If only it was that simple. After all, music is made for the ears, not the eyes. But as long as the music clip lives, I fear the song will remain the same and sex will sell singles and taut tail will tag along with talent. At least for women, that is.” FULL ARTICLE HERE: http://www.debriefdaily.com/news-and-opinion/women-in-music/
It’s only ALL OF THE BEST fucking comedians in the whole goddamn country… and me. Look Ma… I’m in the newspaper with Lawrence Mooney, Bev Killick, Rhys Muldoon, Greg Fleet and… Wendy Squire’s beloved “Iggy Pup”. WEBSITE: https://leannekingwell.com/ iTUNES: http://itunes.apple.com/album/id898805049 AMAZON: http://tinyurl.com/nlhb3yu
It’s only ALL OF THE BEST fucking comedians in the whole goddamn country… PLUS ME… and it’s for a good cause. 🙂 I’m playing a 30 minute acoustic set to close out the night with the help of John Keskeridis (guitar), Fabian Fitzgerald (guitar/keys) and Nick Ralph (percussion). An outstanding line up of musical and comedic talent are coming together and volunteering their time to assist St Kilda Gatehouse provide a safer community for vulnerable women. The Gatehouse Unlocked event starts at 7pm on the 13th of November at Encore St Kilda Sea Baths, Melbourne, Australia. The event is the brainchild of two Melbourne journalists, Wendy Squires and Jane Gilmore, who are both active supporters of St Kilda Gatehouse. They clearly have some friends because between them they have been able to pull together; Wendy Harmer, Fiona O’Loughlin, Van Badham, Lawrence Mooney, Bev Killick, Mick Molloy, Greg Fleet, Adam Zwar, Rhys Muldoon, Claire Hooper, Deborah Conway, Willy Zygier and Leanne Kingwell who will become one line up for Gatehouse Unlocked. The importance of St Kilda Gatehouse’s work was highlighted last year after the tragic death of Tracy Connelly, who was murdered in Greeves Street in her van, parked opposite the Gatehouse Drop-In service. Drop-In has been operating for 20 years, giving the women who do street sex work a safe space, to relax, to share or to just exist in peace. A feeling that they matter, that they count for something. For women who have been taught to trust no-one, Gatehouse is a place where they learn to trust again. Fundraising is essential in keeping the Centre open to provide safety and support for vulnerable women. St Kilda Gatehouse CEO Sally Tonkin states; “I’m so overwhelmed with the talent that has come together for Gatehouse Unlocked, it demonstrates to us how many community members care for the wellbeing of those involved in street sex work”. She also said: “Our work can be very serious and dark, but amongst it there is always space for humour. It is a survival tool! We’re looking forward to an event where we gain exposure to a wider audience of support and enjoy a good laugh”. The night is promising laughs, a St Kilda beach sunset, music, light refreshments and the opportunity to purchase items via a live and silent auction. Tickets are $55 inclusive and can be purchased here: www.trybooking.com/gbrd WEBSITE: https://leannekingwell.com/ iTUNES: http://itunes.apple.com/album/id898805049 AMAZON: http://tinyurl.com/nlhb3yu